Special Christmas Eve Service, 12/24

Invite friends and family to this gentle, reflective service in which we honor the gifts in the age-old message of people travelling with hope. We will enjoy the lighting of candles, with appropriate candle options for all ages!

Rev. Alex McGee will preach

This service will be broadcast on Zoom using the same link as the Sunday Worship Services.

December 21, 2025 – Solstice Pageant (all ages)

In this all-ages Sunday service, the gifts of children and youth in our congregation will shine as we reflect on Solstice together. Be ready for deep reflection and getting to know your neighbor a little better.

Skyla King-Christison, Director of Religious Exploration, has designed this service and will lead along with children, youth, and Rev. Alex McGee

Kirtan With Johanna Beekman and Friends, 12/12

Kirtan with Johanna Beekman and Friends: Guitar – Jerry Swanson. Harmonium – 🌈 Rainbow. Drums – George Beekman✨!

$20 in advance, $25 at the door. No one turned away for lack of funds.

Come experience the shared heartbeat of Kirtan & devotional song!

Where: Corvallis Unitarian Fellowship

When: Friday, December 12, 7-8:30 pm

Childcare is available!

Free childcare can usually be arranged for any Fellowship event by using this link 1-2 weeks prior to the event.

Behind the Music: Room at the Table

When it comes to holiday meals, there’s a picturesque, Rockwell-esque vision that comes to mind for many of us: glossy brown turkeys, mashed potatoes with golden butter, steaming, savory vegetable dishes, and tempting desserts. For some, this is just something we look forward to and take for granted. For others, it’s just a childhood memory or something seen on television…not because they don’t believe in festive shared meals, but because they’re taking on extra shifts, scrimping and saving, or searching for a safe place to sleep and enough to eat.

Rev. Alex centered this Sunday’s service on the following: home and food are not just physiological needs, but carriers of culture and dignity. If someone doesn’t have a safe place to call their own, a place to prepare their own meals, how can they feel safe and secure? If one doesn’t have access to food, doesn’t this mean that they also lack agency in their choices about food that fits their heritage or their personal values? How and where food is produced carries ethical implications, meaning that not only is it difficult for some to obtain the food that they wish to eat, but it also means they are unable to give their business to farmers and local food providers. This in turn affects how farmers and local food providers support themselves, as well as impacting their ability to keep creating and distributing food ethically. Everything is connected. Because the holidays amplify both the joy of gathering around food and the heartache of those left out, Alex’s sermon reminded us of something simple: making room at the table (by supporting neighbors’ access to familiar, culturally meaningful food while preserving dignity, choice, and respect) is just part of being a member of this community. For many folks, the UUFC is a steady home away from home, and there is something sacred in how we feed and hold one another, making sure everyone belongs.

https://youtu.be/N2sow2WYQNQ?si=_qlIwVMM6v9q_4Gs

I initially selected today’s prelude, “She Used to Be Mine” simply for its indirect connection to food, but as Alex’s sermon unfolded, it seemed as if this song from the Broadway musical “Waitress” had been custom-designed for today’s service. “Waitress” is about Jenna, a pregnant waitress and pie maker who is trapped in an abusive marriage. She dreams of a better life for herself but lacks the financial resources to escape her controlling husband Earl. Throughout the musical, Jenna uses various pies as metaphors for her dreams and struggles, and it is eventually pie that becomes a beacon of hope for her: if she can bake an incredible pie and win the upcoming Springfield Pie Contest, the $20,000 prize is her ticket to freedom. In “She Used to be Mine”, Jenna sings vulnerably about who she used to be, before she needed her beloved pies to serve as comforting representations of her feelings, and as well as her escape plan.

I wasn’t familiar with Carrie Newcomer’s “Room at the Table”, but when Alex asked me to sing this song, it was immediately clear why she wanted this piece included in today’s service. Newcomer invites us to extend home and table outward to everyone. One can do this as an individual or with their family, but can also check out ideas and collaborate with others at any of the levels that Alex spoke about: the UUFC Secure Housing and Food for All Team, the Corvallis Unity Shelter, and the World Bank. The lyrics speak for themselves.

https://youtu.be/92OM5bdQ4N4?si=hDiGHJid-SKCg8hb

Room at the Table, by Carrie Newcomer

Let our hearts not be hardened to those living on the margins
There is room at the table for everyone
This is where it all begins this is how we gather in
There is room at the table for everyone

Too long we have wandered burdened and undone
But there is room at the table for everyone
Let us sing the new world in this is how is all begins
There is room at the table for everyone

There is room for us all
And no gift is too small
There is room at the table for everyone
There’s enough if we share
Come on pull up a chair
There is room at the table for everyone

No matter who you are no matter where you’re from
There is room at the table for everyone
Here and now we can be the beloved community
There is room at the table for everyone

There is room for us all
And no gift is too small
There is room at the table for everyone
There’s enough if we share
Come on pull up a chair
There is room at the table for everyone

There is room for us all
And no gift is too small
There is room at the table for everyone
There’s enough if we share
Come on pull up a chair
There is room at the table for everyone

Let our hearts not be hardened to those living on the margins
There is room at the table for everyone
Room at the table
This is our gathering
Room at the table for everyone
Room at the table
Room at the table for everyone
Everyone

https://youtu.be/ps0Ad5hFw4w?si=gWpB_TJMLj7HP89T&t=22

The ode “Drink with Me” from Les Misérables by Claude-Michel Schönberg features a group of young nineteenth-century Parisian rebels seeking solace and companionship on eve of a battle which the singers know they will not all survive. There is no home, there is no table, but the passing of the wine has both a communal and communion-like feel as the group prepares to rise against the inequality, political suppression, and poverty imposed by their government. The musical’s overarching message goes hand-in-hand with today’s sermon it’s charge to help make home and food possible for those who are in need: “To love another person is to see the face of God.”

https://youtu.be/qQynLNRp7M4?si=WyfKHGn5qK2jy7PI

I really love hymn #407 from Singing the Living Tradition, “We’re Gonna Sit at the Welcome Table”. On top of letting its gospel style shine through and being just plain fun, the text again says it all. This song promises a seat, a shared meal, and a safe gathering to all, including those who are hungry, houseless, or excluded in other ways. The welcome table reminds us that sustenance and shelter aren’t just physical boxes to check off, but conduits for dignity, culture, connection, and personal moral codes.

We’re gonna sit at the welcome table.
We’re gonna sit at the welcome table
one of these days, hallelujah!
We’re gonna sit at the welcome table,
gonna sit at the welcome table
one of these days.

All kinds of people around that table.
All kinds of people around that table
one of these days, hallelujah!
All kinds of people around that table,
gonna sit at the welcome table
one of these days.

No fancy style at the welcome table.
No fancy style at the welcome table
one of these days, hallelujah!
No fancy style at the welcome table.
gonna sit at the welcome table
one of these days.

November 30, 2025 – The Many Meanings of Home and Food

Gathering around the hearth and table this time of year may be in the picture books, and may be real for some of us. But what else is true about the how people in our community experience home and access to food? And how does the sacred show up in these physical necessities?

Rev. Alex McGee will preach

Poems and Readers needed for Worship – Register by 11/30

Calling for poetry recommendations, submissions of original poetry, and readers for a poetry-centered Sunday worship service at the UU Fellowship of Corvallis. Readers will be reading aloud in front of the congregation during service. You can read your poem or someone else’s. We welcome all ages and voices that we don’t usually hear from. We anticipate a final selection of 10-12 poems. 

Rehearsal on Saturday 12/27
Service on Sunday 12/28

Theme: Endings & Beginnings

Deadline to submit: Sunday 11/30

Behind the Music: Roots hold me close, wings set me free

This morning Reverend Alex invited us to reflect on desire as a spiritual quality. How can we learn to recognize and trust the spiritual desires within ourselves? When we learn to notice how our spiritual longings take shape as well as to honor the spiritual desires of others, our lives and the lives of those around us will become richer with meaning and purpose.

Massenet’s famous Méditation from Thaïs has been played at weddings, funerals, and all manner of occasions that call for a moment of beauty, emotional depth, and reflection. The opera Thaïs is centered upon Thaïs, a hedonistic courtesan whose life is filled with shallow pleasures and transactional relationships. Thaïs is jaded and nihilistic, living for luxury and the moment, without any substantial meaning to her existance. The monk Athanaël – whose motives aren’t entirely altruistic – warns Thaïs that only focusing on the good life and other superficial indulgences is ultimately empty and destructive. Thaïs is resistant to Athanaël’s urging, but while the intention behind his words isn’t pure, his message forces her to take a look at herself and as the Méditation is performed, Thaïs comes to the realization that she wants something deeper and real. After this revelation, Thaïs abandons her old life and her soul feels fulfilled when she dies at the opera’s conclusion.

https://youtu.be/NLhvMgucWns

Carolyn McDade’s beloved UU hymn “Spirit of Life” carries an astonishing amount within its six brief lines and can be sung in connection with compassion, justice, community, freedom, nature, and the mystery of being. Today, it served as an expression of desire in the form of openness and receptivity, especially in light of Alex’s explanation that desire sometimes comes in a form that we don’t recognize. The original hymn is beautiful as written, but for this service I used slightly altered chords to evoke a stronger sense of yearning, along with an open-ended cadence that suggests hope and continuation rather than a neat and tidy conclusion.

https://www.youtube.com/watch?v=MaJf5aHLezo

Leonard Cohen’s “Hallelujah” is such a wonderful example of really good song-writing. The melody is lovely and actually goes somewhere (rather than a repetitive phrase that depends on the lyrics or artist’s voice to make it enjoyable), the text is honest and vulnerable, the beautiful harmonic progressions underline the meaning of the lyrics, and the stark transparency of the accompaniment lets the well-crafted melody, words, and harmonies shine, rather than gilding the lily. I can think of no song that better expresses desires that are wistful and deeply human with this level of emotion and simplicity.

https://www.youtube.com/watch?v=LQK4YfiPj1Q

Norman Greenbaum’s “Spirit in the Sky” served as today’s postlude and while fast and fun, it still highlights a different facet of spiritual desire: a bright, declamatory longing for connection with something larger than ourselves. Greenbaum wrote this song after being inspired by a gospel music performance; he didn’t share the theology behind the music, but was profoundly moved by the joy and conviction he experienced. “Spirit in the Sky” captures a particular sort of desire so wonderfully – an energetic pull toward meaning, invigoration, and clarity – not to mention a wildly catchy guitar riff! May this postlude serve as a reminder to move toward hope, toward transformation, and toward whatever “sky” or horizon holds meaning for you.

https://youtu.be/vRFo72wuU6w?si=8uhfXsbubFYvo-28

November 23, 2025 – Spiritual Tools for Centering and Compassion

There has never been a better time for us to dig into our spiritual toolbox to center our souls, engage in a practice of self love and self compassion, and connect to our souls so that we can engage with each other from a space of love and joy. Dr. Bird will talk about storytelling as an act of persistence and how we can walk the good road to support our community.

Dr. Melissa Bird will preach