Behind the Music: A home where we can breathe, to sleep and dream without fear

The Problem We All Live With, Norman Rockwell (1964)

Today’s MLK Jr. service reflects on how the spiritual autobiography of our nation will be written, emphasizing how we listen, how we care for the next generation, how we respond to organized and normalized evil, and the importance of being open so we may serve a greater good. The piano selections for today’s service reflect these themes, naming pain, modeling courage, and inviting both reflection and action.

I began the prelude with a piano rendition of B.E. Boykin’s Stardust. While the music alone is gripping and powerful, it is the text and intention behind the music that is the most meaningful. In Stardust, the singers call for the following:

Marcus J. Jauregui – conductor of the Pershing Middle School Treble Chorale Houston ISD and who commissioned this work – shared “When we sing, we pray twice [once with our voices, and again with our hearts], and it is my prayer that this piece stirs all who hear it to call for justice for people of color taken from this world before their time and without concern for their humanity.”

The prelude ended with the theme from To Kill a Mockingbird, a bittersweet piece that I’ve always felt conveys curiosity, lost innocence, and hope despite the ugliness in the world. The story of one good man, Atticus Finch, standing against the entrenched racism in his community, is so special to many of us, and is one of the rare instances of the film measuring up to the original book, as Gregory Peck and Mary Badham’s portrayal of the Atticus and Scout Finch pull at the heartstrings and are hard to forget. Though surrounded by fear and prejudice, Finch listens, teaches, and acts according to conscience, modeling moral courage in the face of hatred and injustice. This theme underscores the responsibility adults bear to model courage, empathy, and justice for those who come after us. By opening ourselves to see the world clearly and to respond to wrong, we honor those who have suffered and provide guidance for the next generation, showing how openness and moral action are inseparable.

Blowin’ in the Wind is a song that represents the sixties but has also been described as an anthem of the civil rights movement. R&B singer and civil rights activist Mavis Staples recalled in Martin Scorsese’s documentary No Direction Home that she was couldn’t believe how a young white man could capture the frustration and aspirations of Black people so powerfully. Soul singer and songwriter Sam Cooke was similarly impressed, making it a regular part of his repertoire soon after its release, and also shared that it inspired him to write his own civil rights anthem, A Change Is Gonna Come. The song asks us to listen deeply, be open to what we are asked to hear, and take responsibility to serve a greater good by refusing to ignore racism, honoring both the movement and the individuals whose lives have been affected by racial violence.

While Precious Lord, Take My Hand is included in the UU hymnal Singing the Living Tradition, it hasn’t been sung in Sunday services often. However, this felt like the perfect postlude for today’s service, as it was Martin Luther King Jr.’s favorite hymn. Its topics of exhaustion, grief, and fear – but also of courage! – was both comforting and inspiring for MLK, and he often asked Mahalia Jackson to sing the hymn at civil rights rallies. After his assassination, Jackson sang the song at his funeral, and in turn, Aretha Franklin sang it at Jackson’s own funeral. Originally composed after the death’s of composer Thomas Doersey’s* family, the song is a reflection on faith tested under pressure, reminding us that confronting entrenched inequality and hatred is difficult and wearying…but that we can still work toward a greater good and try to sustain justice, mercy, and care in the world. And because this was our postlude and meant to send folks off into the world, starting a new week, I made sure to play a more upbeat, blues-inspired arrangement of the song, because members of the UUFC love to dance their way out of the service!

*Not to be confused with bandleader Tommy Dorsey

January 25, 2026 – Why Church?

“Why Church?” Community, exploration, redemption, forgiveness, exchange, justice – what the heck is church for? Let’s talk about why church matters.

Guest speaker Rev. Mitra Rahnema is a lifelong Unitarian Universalist and graduate of Starr King School for the Ministry. She has offered ministry to congregations in Missouri, Michigan, and California. Mitra is editor of the 2017 book and UUA Common Read, “Centering: Navigating Race, Authenticity, and Power in Ministry.” She is dedicated to building vibrant and engaged anti-oppressive communities. Mitra lives in Portland, OR.

January 18, 2026 – Can I Let You Have Your Story?

In anticipation of Martin Luther King, Jr. Day, let us consider whose version of his story we know. Widening the lens, let us consider what versions of someone else’s story we are willing to hear. If we truly live our inclusive values, what discomfort comes with accepting a person’s whole story?

Rev. Alex McGee will preach

Behind the Music: We’ll Build a Land

Leadership often begins with a call and not a plan; we feel a nudge – or push! – inside of us to step forward. The stories from our Council Chairs provided much food for thought on what fuels our own willingness to contribute and get involved in this community. Today’s piano music all led back to what it means to say yes and pitch in, as we each considered how we are being called to participate.

There was a touch of the traditional Scottish song Auld Lang Syne to acknowledge the new year, but the heart of this morning’s prelude was Carole King’s You’ve Got a Friend. The lyrics (“When you’re down and troubled, and you need a helping hand…you just call out my name”) remind us of the power of showing up for others and offering steady support. In the same spirit, contributing time, lending a hand, and joining a committee are ways to be a friend to the Fellowship, helping where it’s needed so the community can thrive.

I played We’ll Build a Land (121 in Singing the Living Tradition) for the offertory…I originally had a different song in mind, but as I listened to Nick, Carl, Scott, and Kathy speak, We’ll Build a Land kept popping in my head instead. This hymn’s message of hope and justice created by shared effort, and its dream of how together we can “build a land where all can dwell in peace” and “make a world of love and truth” were all reflected in the stories we heard. The care, support, and participation from today’s speakers and from every volunteer and congregational leader help shape this “land”, the Fellowship.

The decision to use Heroes by David Bowie for today’s postlude may have been influenced by its inclusion in the finale of Netflix’s sci-fi/coming-of-age series Stranger Things, but that doesn’t make it any less meaningful when it comes to the theme of the day. Heroism doesn’t always have to be grandiose or on a large scale – heroes can be people who step forward and give their time, energy, and passion. Even if it simply appears to be everyday participation in congregational life, volunteering, trying something new, and being an active member of this church makes for a better, richer Fellowship for us all.

Kirtan With Jaya Lakshmi, 1/16

Join Jaya Lakshmi and her band for an uplifting evening of mantra, kirtan and original sacred music.

Friday, January 16, 2026, 7:00 – 8:30 PM at the Fellowship.

Tickets $25 in advance, $30 at the door. No one will be turned away for lack of funds.

Buy tickets online using this link: https://jayalakshmimusic.com/event/6393721/748516126/jaya-lakshmi-kirtan-and-sacred-music-concert.

Childcare is available!

Free childcare can usually be arranged for any Fellowship event by using this link 1-2 weeks prior to the event.

January 4, 2026 – What’s Your Leadership Story?

Come hear our Council Chairs share their story of leadership at UUFC. Each of us can reflect on what motivates and informs our roles in the congregation. What puts fuel in your tank for leadership? Many people find that in congregational leadership, they live out their values in new ways and grow spiritually. Looking ahead to the Spring, some leadership roles will turn over, so now is a time to listen for seeds in your soul waiting to sprout.

Carl English-Young (Connections Council), Kathy Kopczynski (Justice Council), Scott Bruslind (Financial Oversight Council), and Nick Houtman (Facilities Council) will speak. Rev. Alex McGee will lead.

Behind the Music: Light is returning, even though this is the darkest hour

Today marks a moment in time of stillness and reflection, the longest night of the year before the gradual return of light. There is a wealth of music about winter, night, darkness, and light, and I tried to select pieces that captured the ideas of cold December nights, the knowledge that the sun and warmth will return, and the small lights that both sustain us in the meantime, as well as the small lights that we put forth to try to sustain others.

The prelude opened with “Once Upon a December”, which comes from the 1997 movie Anastasia, a beautiful animated fairy tale loosely based upon the legend of Russia’s Grand Duchess Anastasia. Written by Broadway veterans Lynn Ahrens and Stephen Flaherty (who also penned “Ragtime” and “Once on this Island”), the protagonist’s words are full of wistful nostalgia:

Far away, long ago
Glowing dim as an ember
Things my heart used to know
Things it yearns to remember

And a song someone sings

Once upon a December

https://youtu.be/5gZrYyi-XRQ?si=7OwGhbgsWmmKT0TE

The well-known and beloved Clair de lune followed, by French Impressionist composer Claude Debussy. Clair de lune – which translates to “the light of the moon” – is a luminous musical portrait of moonlight spilling over a quiet landscape. In the context of a Winter Solstice service, Debussy’s shimmering harmonies suggest the reflection of the winter moon on snow or ice, as well as a sense of calm, wonder, and the peaceful magic of a winter night.

https://youtu.be/Ch2mrPm1JnM?

I was originally planning to play Don McLean’s “Vincent“, which is so wonderful and a personal favorite…or Eric Whitacre’s less-known but exquisite “Glow“. But after the youth performance and the activities that Skyla King-Christison had planned, it felt like the service called for the quiet warmth and intimacy of Jim Brickman’s arrangement of “Twinkle Twinkle Little Star” instead. The gentle piano lines and soothing childhood melody evoke the comforting glow of starlight on a dark, quiet evening. Even in the depths of winter, small points of light – hope, love, and connection – persist and guide us forward.

https://youtu.be/jUw6tNmXcCU?

For today’s postlude, I played Charles Murphy’s “Light Is Returning”, a song we’ve sung at past solstice services. This musical celebration of the light’s return couldn’t be more fitting for the longest night of the year, and the lyrics serve as a promise of new beginnings:

Light is returning
Even though this is the darkest hour.

No one can hold back the dawn.

Let’s keep it burning;
Let’s keep the light of hope alive!
Make safe our journey through the storm.

One planet is turning
Circle on her path around the Sun.
Earth Mother is calling her children home. 

https://youtu.be/BBy5Z2oXppA?

December 24, 2025 – Christmas Eve (Wednesday, 7 PM)

Invite friends and family to this gentle, reflective service in which we honor the gifts in the age-old message of people travelling with hope. We will enjoy the lighting of candles, with appropriate candle options for all ages!

Rev. Alex McGee will preach

This service will be broadcast on Zoom using the same link as the Sunday Worship Services.