This morning Reverend Alex invited us to reflect on desire as a spiritual quality. How can we learn to recognize and trust the spiritual desires within ourselves? When we learn to notice how our spiritual longings take shape as well as to honor the spiritual desires of others, our lives and the lives of those around us will become richer with meaning and purpose.
Massenet’s famous Méditation from Thaïs has been played at weddings, funerals, and all manner of occasions that call for a moment of beauty, emotional depth, and reflection. The opera Thaïs is centered upon Thaïs, a hedonistic courtesan whose life is filled with shallow pleasures and transactional relationships. Thaïs is jaded and nihilistic, living for luxury and the moment, without any substantial meaning to her existance. The monk Athanaël – whose motives aren’t entirely altruistic – warns Thaïs that only focusing on the good life and other superficial indulgences is ultimately empty and destructive. Thaïs is resistant to Athanaël’s urging, but while the intention behind his words isn’t pure, his message forces her to take a look at herself and as the Méditation is performed, Thaïs comes to the realization that she wants something deeper and real. After this revelation, Thaïs abandons her old life and her soul feels fulfilled when she dies at the opera’s conclusion.
Carolyn McDade’s beloved UU hymn “Spirit of Life” carries an astonishing amount within its six brief lines and can be sung in connection with compassion, justice, community, freedom, nature, and the mystery of being. Today, it served as an expression of desire in the form of openness and receptivity, especially in light of Alex’s explanation that desire sometimes comes in a form that we don’t recognize. The original hymn is beautiful as written, but for this service I used slightly altered chords to evoke a stronger sense of yearning, along with an open-ended cadence that suggests hope and continuation rather than a neat and tidy conclusion.
Leonard Cohen’s “Hallelujah” is such a wonderful example of really good song-writing. The melody is lovely and actually goes somewhere (rather than a repetitive phrase that depends on the lyrics or artist’s voice to make it enjoyable), the text is honest and vulnerable, the beautiful harmonic progressions underline the meaning of the lyrics, and the stark transparency of the accompaniment lets the well-crafted melody, words, and harmonies shine, rather than gilding the lily. I can think of no song that better expresses desires that are wistful and deeply human with this level of emotion and simplicity.
Norman Greenbaum’s “Spirit in the Sky” served as today’s postlude and while fast and fun, it still highlights a different facet of spiritual desire: a bright, declamatory longing for connection with something larger than ourselves. Greenbaum wrote this song after being inspired by a gospel music performance; he didn’t share the theology behind the music, but was profoundly moved by the joy and conviction he experienced. “Spirit in the Sky” captures a particular sort of desire so wonderfully – an energetic pull toward meaning, invigoration, and clarity – not to mention a wildly catchy guitar riff! May this postlude serve as a reminder to move toward hope, toward transformation, and toward whatever “sky” or horizon holds meaning for you.